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In Cotacachi, the spaces of civic participation are:
The Assembly of Cantonal Unit (AUC), Council of Development
and Administration (CDG) and Intersector Committees,
in which participate the organizations and the citizenship
in a direct way and/or through their representatives.
The CDG is the executive instance of the Assembly of
Cantonal Unit. One of its responsibilities is the execution
of the resolutions taken in this space. It is integrated
by the UNORCAC, Neighborhoods Pre-federation, Intag
Parochial Meetings Council, Women representatives of
the three areas, childhood and cantonal youth representatives,
artisans, Municipality of Cotacachi Local Government;
in total, 16 members.
This imperfect experience of citizenship construction
begun in the Cotacachi canton, has allowed the trust
of the citizenship and institutions that better the
processes. It is as well as IBIS-DENMARK is constituted
in one of the first organisms that signs an agreement
directly with the CDG in December of 2001, to execute
the CONSOLIDATION OF THE DEMOCRATIC AND INTERCULTURAL
ADMINISTRATION PROJECT, with a duration of 10 months.
However we cannot ignore the political will of the Municipality
of Cotacachi Local-Government and of the UNORCAC that
contributed to the subscription of the agreement.
"The operation of the CDG has consolidated participation
of the democratic citizen of the indigenous organization
in the local development, and has strengthened the process
of intercultural relationship among the territorial
actors of the Canton: Andean communities of the town
Kichwa, urban neighborhoods and peasants of the subtropical
area". It is erected in the objective of the project.
The Holy Week constitutes the celebration which is visualized
the inter-culturality of the people that inhabit the
Canton. Regrettably as time went on, it was losing its
real content, ending in distorted practices and even
in social pathologies. Reason for which the Commission
of Culture of the Cantonal Assembly is working in the
formulation of politics allowing to recover and to revitalize
the different cultural manifestations of the ethnoses:
indigenous, mestizo, and black; for which information
has been gathered by means of surveys.
This work is put into consideration of the organizations,
institutions and citizenship, aspiring that the same
ones contribute to activate the discussion and investigation
that has come to less, and allow us to be project ourselves
into a human development with identity.
Dr. Patricia Espinosa
PRESIDENT OF THE CDG
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THE SOCIAL TO THE RELIGIOUS ... FROM THE RELIGIOUS TO
THE SOCIAL |
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Since the colonial time or the sixteenth century,
two different cultures merged in America to give origin
to a new cosmovision made up of aboriginal and european
elements. An indigenous society with a practice of rituals
not only related to the cycles of human life and nature,
but also with the necessity of strengthening relationships
and social values. It assumes and recreates this new
way of conceiving the world and a range of symbols are
expressed in the everyday, sacred things.
The Holy Week is a Catholic ritual of religious manifestations
that were introduced in the Spanish conquest to America.
It imposed new symbols that recreated aboriginal rituals.
In a new world where the language hindered the communication,
the conquerors transferred to America theatrical representations
of religious episodes to secure the evangelizing processes.
Also, they regulated the participation of the natives
(processions), invested personages (gentlemen) and delegated
functions (brotherhoods) Caillavet 2000.
Thus, the Holy Week was constituted in a religious
party which historically the indigenous society was
first, and later on the mestizo society. They expressed
in their celebration a group of symbols and sacred beliefs
that exhort the spirit of devotion and energizes social
relationships of coexistence.
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THE RITUAL STEP OF THE FEMININITY |
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The aboriginal societies before the Spanish conquest
manifested social practices with a sacred dimension.
To celebrate the pass over from an age to its next age,
it meant to recognize and to point out in the members
of a community a sexual stage, the loose hair in this
case was an important expression of femininity. Caillavet
2000.
In Cotacachi, the ritual step of the femininity can
be evidenced with the presence of the "guioneras"
(guiders) in the Holy Week. Women that pass to the age
of the fertility. This celebration is bound to the spring
equinox, time in which the nature also demonstrates
its fertility, the plants flourish, the first seeds
are born, it means that it is the time of the life.
It is interesting to find in the celebration of the
Holy Week the persistence of the cult to the femininity
in the indigenous society.
The women that are guioneras by their parents' will,
say that they are "PASANDO GUIONERA", it means
that they are celebrating the step from an age to another.
For this reason they also call them TAUNADORAS, because
they take in their hands a banner, script or banner
that, although, it not be the cane (tauna = cane) of
the adults, it is the badge that helps them to guide
their step. To "PASS GUIONERA" is to celebrate
with solemnity in front of their town their woman condition.
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FOUNDER, REGENT, SLAVES AND GUIONERAS |
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By the middle of the seventeenth century the religious
party of the Holy Week is consolidated with the practice
of the religious processions, for this, it was necessary
to reply to the interior of the religious party organization,
the political-administrative structure of that time.
Thus, the Spanish crown delegated functions in order
to administer a founded town, a founder, a regent, and
it differed subjected gentlemen, the religious party
of the Holy Week, for its organization, replies the
same delegations, founder, regent, and slaves. By this
form and that of the brotherhoods, it has surrendered
cult and custody of a sacred image.
In Cotacachi, at the present time, the indigenous communities
still conserve these representations in the organization
of the Holy Week. In pre-hispanic times each Ayllu possessed
a huaca (God) for its adoration. Today each indigenous
community surrenders cult and devotion to a Catholic
image.
FOUNDER- It is that one to whom the church took
charge the custody of a saint or who voluntarily assumed
it. This role could also be assumed by a woman. In this
religious party of the Holy Week the woman can be a
FOUNDER.
The FOUNDER'S position has a high social prestige. This
will allow him/her to demonstrate his/her capacity to
share and to redistribute resources in the community
during the religious party of the Holy Week.
REGENT- The person that goes to the hill in search
of sacred plants; rosemary, laurel, to adorn and to
purify the altar of their image.
SLAVES- They are the musicians, prayers, singers,
and pipers; men who load their adoration image platform.
GUIONERAS (GUIDERS)- The more part of them are
adolescent women, who dress in traditional suits which
include silk handkerchiefs and hats. They guide and
accompany the step of their sacred image with a banner
called script. It is made of chonta, dressed or adorned
with silk handkerchiefs of diverse colors, whose end
carries a metal cross, symbol of the Catholic religion.
Under this script they group to other "guioneras".
They are also called "taunadoras" (kichwa
word).
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INHERITANCE OF LOVE AND FAITH |
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From the beginning of the eighteenth century, the
colonial period, the mestizo society was being born
in Cotacachi. The church ruled in some way the relationships
of the social classes, Spaniards, Mestizos and Indians.
In the religious parties and in considering the Holy
Week, the church institutes the formation of brotherhoods,
congregations, and slaveries for the religious cult.
At the present time in the Holy Week almost all of the
indigenous communities have been constituted in their
saints slaveries, and in the mestizo society they persist
from principles approximately from the 19th century.
The Slavery or Lord's Slaves, are well-known as the
Sacred Barons and the Slavery of the Virgin Dolores.
To be a slave, in some cases, it is necessary to voluntarily
accompany to the passthrough of the higher slaves who
carry on their image platform, and in other cases, it
means to accept the hereditary responsibility of parents
or grandparents. To be a slave means to transmit and
to demonstrate the love and the devotion to the Lord
and to Dolores's Virgin.
The Lord's Slaves are in charge of completing liturgical
rites like the cleaning of the feet, the seven words
and the descending. For this moment each Male Saint
has a mission to complete, to take out the nails of
the hands and feet of the crucified Christ and to carry
it in order to show it to the town. After this, three
women slaves of the Lord shroud Christ's body and they
keep it in the sepulcher. On the other hand, the slaves
of the Virgin Dolores accompany her in the ritual of
María's Loneliness, carrying especially the platform
with the Virgin of Dolores on Saturday night. This expression
of gestures and attitudes instituted since the time
of the colony allow us to revive and to strengthen the
faith of a Christian town.
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SACRED RITES BEFORE THE HOLY WEEK
- DESPIDI PUNCHA - (Farewell Day) |
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Following the Catholic calendar, previous to Palm
Sunday and the Holy Week, the Council is celebrated
on Friday. For the natives, this day is identified with
the name of "Dispidi Puncha" (Day of the Farewell
of the Lord). In the Catholic religion the meaning of
the Friday of Council is the rememberance of the political
plot to prosecute Jesus. For the natives it is Jesus'
farewell with the Virgin.
In the indigenous communities, the theatrical representation
of a religious episode of Jesus' life summons to the
encounter among seated communities, where in the colonial
time, it was determined as lands of the common (Community
of San Pedro), and seated communities, where, in the
colonial time they were kingdom lands (Communities of
Ashambuela and Piava). Between prayers, songs, and images
of embrace of the two images, the celebration of Holy
Week begins.
Religious congregations conformed by mestizo women,
like the one of the Virgin Dolores, one of the oldest
images in Cotacachi, they travel through the streets
of the city praying Via Crucis.
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PALM SUNDAY |
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The "Saviour Triumphant Entrance in Jerusalem"
is a religious episode that is celebrated on Palm Sunday.
For the natives this celebration implies more, of the
Catholic religious connotation that has been recreated,
to the sanctifying of the nature's bloom. For that reason,
in Palm Sunday it is necessary to bless laurel, rosemary,
flower of corn, fields, and to give thanks to God and
to mother earth for the generosity of their first fruits.
The conservation of these plants in the housing of each
indigenous family will bring the abundance and will
liberate them of all danger.
"San Salvador" is an image of Jesus brought approximately
by the middle of the eighteenth century, by a Spanish
family that was residing in Cotacachi. In function of
the cult of this image, Palm Sunday takes place under
the priostes system. In this case the natives visited
the house of the Spanish prioste on Saturday night to
celebrate with food, songs, and music of flutes, the
eve of Palm Sunday.
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HOLY WEDNESDAY AND HOLY THURSDAY |
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From Wednesday until Holy Friday the night processions
are carried out. In these days the indigenous communities
go out of their places with the saint or image of their
devotion to walk around an urban perimeter that surrounds
the main church.
These processions are instituted in the seventeenth
century when the church rules the exit of the Indian
brotherhood in the night, and in the day the Spaniards.
These are considered the space of community encounter
that express the necessity to continue strengthening
social relationships of familiarity and reciprocity.
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HOLY FRIDAY |
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The greatest day of religious expression through the
procession of midday. In her, indigenous and mestizos
converge as slaves of the faith sharing a previously
ruled space. Lord's Slaves, the Slaves of the Virgin
Dolores, Maria Magdalena's Slaves, Saint Peter's Slaves,
Saint John's Slaves..., accompanied by guioneras, musicians,
regents, and founders mark the religious step of the
Holy Week.
Each ethnic group being expressed with their characteristic
way of conceiving the world and their faith. Holy Friday,
day of solidarity with Christ's death, for that reason,
the natives make the Huaccha Caray in that day.
Also, in Cotacachi, the religious scene of the Via Crucis
is still conserved through the CHRIST'S LIVING FRAME.
The historical practice of traveling through the main
streets of the city is still practiced.
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GLORY SATURDAY AND EASTER SUNDAY |
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A celebration of the happiness, of the flourishing,
and of the resurrection takes place in the indigenous
communities, the founder's house, and the interior of
the Lord's slaves organization.
Easter Sunday is called Jatun Pascua. It is within indigenous
conception to give food, because God and the earth offer
the first fruits. As you can see, this appreciation
doesn't exclude the natives thinking about the significance
of the resurrection from that of the Christian conception
"resurrection of Christ, nourishment for a new
possibility of Life". Rather, they have resemblance
and recreate the two conceptions.
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| MATERIAL
CULTURE OF THE HOLY WEEK |
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The party of the Holy Week and its relationship with
the nature allows to express a material manifestation
related with the food. The Fanesca, food of indigenous
and mestizo, elaborated with diversity of fresh products,
corn, peas, chochos, beans, sambo, zapallo, sambo's
seed and vegetables for their decoration. It is the
festive plate that is favoured in the family reunion,
and in order to elaborate and savor it on the table
without lacking the traditional desserts, like fig candy
and rice with milk.
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Consolidation of the Democratic and Intercultural
Administration Project.
Agreement: CDG of the Assembly of Cantonal Unit
and Ibis-Denmark
Cotacachi - March 2002
García Moreno and González Suárez Telf.: 593-6-915200
- COMMISSION OF CULTURE OF THE ASSEMBLY OF CANTONAL UNIT
- MUSEUM OF THE CULTURES
- INVESTIGATION: CARMEN HARO LÓPEZ
- REVISION: RAFAEL GUITARRA (President UNORCAC)
- TECHNICIAN EQUIPMENT OF THE PROJECT:
- ARTURO CEVALLOS. OFFICIAL IBIS-DENMARK
- EDWIN ECHEVERRÍA. PROJECT COORDINATOR
- ANTONIO MORALES. PROJECT PROMOTER
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